Dada
The Dada art
movement originally sought out to be anti-art. It began with the carnage of
World War I, and the shock and protest that surrounded the war. The Dada
writers and artists saw the horrors that the war had brought, and saw a new
side of religion and moral codes. These artists thought that if they could
reject tradition, they could experience true freedom.
The movement started off as a literary movement, after poet
Hugo Ball. Yet as time progressed, Marcel Duchamp, a French painter, joined and
soon Dada spiraled into an art movement. To Duchamp, Dada represented how art
and life could be so randomly selected, and he brought this idea of true
freedom into his works. To Dadaists, they did not want to create art, but
instead mock it. Many felt that society had become too sensitive to art, and
life. There were however, many artistic works that were meaningful and
influenced graphic design. Some Dada artists, even created the technique of
manipulating photographic images to create something else. Artists like Raoul
Hausmann and Hannah Hoch were most known for these works.
Dada
artist Kurt Schwitters, from Germany, was most well known for his nonpolitical
offshoot of Dada that he named Merz. These images were collages from printed
ephemera and other random materials. Though, he was rejected from the movement
since these images were simply nailed together. Schwitters began to focus on
typography. One of his most well known works, included typographic forms being
depicted as characters. Kurt and many other Dadaists, wanted to use their
artistic activities to draw the public’s eye to the political problems during
the time. Many hoped their art would promote social change and raise the
public's consciousness.
John
Heartfield, was another Berlin Dadaist, that sought to use his art as a
propaganda weapon. His main targets were the Weimar Republic and the Nazi
party. He would attack their organizations in books, magazines and even
posters. Heartfield would work with photographs and manipulate the image in
many of his works. Eventually he had to flee Germany, yet he still continued
his propaganda from Prague. Heartfield even produced photomontages protesting
the Vietnam War.
Dada
was a revolutionary art movement. It began during a time of protest against the
destruction of war, and continued past World War I. The movement’s sense of
anarchy and freedom brought a new breath to art and writing. Though Dada died
off by the end of 1922, artists like Schwitters and Heartfield produced amazing
works that still exemplified the movement.
Hannah Hoch collage, 1919
John Heartfield collage, 1920
Marcel Duchamp 1917
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