Arts and Crafts
Movement
In
England, during the nineteenth century, the Arts and Crafts movement had the
momentum to revive the increasing decline in book production. William Morris and John Ruskin were
both influential to the revival of the movement. The works produced during this time were mainly
two-dimensional patterns. This was a time where craftsmanship was honored,
rather than mass-produced goods.
The movement went
beyond book design, and could be found in buildings, woodblocks, prints and
household objects. In later years, Morris focused on graphic design and
typography. He created the Kelmscott press and focused on recapturing the
detail of hand-printing, handmade paper and hand cut woodblocks. Morris designed
hundreds of woodblocks and all were intricately designed with initials,
boarders, frames, and title pages. Morris demonstrated that this art form could
bring an appreciation for art to the working class.
Even after the
death of Morris, his presence could be found in book designs and typography
throughout the world. In the
Netherlands, artists wanted to revive printing and the traditional standards of
the art form. Many did not view the Industrial Revolution as a good thing,
since it allowed for mass production.
Artists like Sjoerd H. de Roos, saw that a successful typeface was the
foundation of a great book design. Artists like Nypels, Stols, and Krimpen,
were focused on high quality designs with legible typography.
The Arts and
crafts movements spread to America, where designers were still influenced by
William Morris. The American Type Founders Company, held a massive library
containing past typographic designs. This was instrumental in reviving past
designs.
This movement
sparked an appreciation for craftsmanship rather than the mass production the
Industrial Revolution had brought.
William Morris proved to be an influential leader in the Arts and crafts
designs and inspired hundreds of artists. Graphic design stretched beyond book
designs and typography, into prints and even household items.
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